rollin' with the feedback of sound

I started fucking around with this awhile ago, but it just wasn't working. Up to 1:12 only needs some volume envelopes balanced. The rest has 30 second spots that I am satisfied with sparsed between 'well, THAT is a rough draft'. Really, I should stop being annoyed at myself because this was my second serious attempt at a project. Still. When something isn't working, you get down to the basics.

The problem with what I did instead is that each half by itself is what I wanted, but apparently I developed an entirely different idea today as to how I wanted to do it than last night. But I had fun with it, it just needs some sore spots smoothed over before it can be finished.

Suggestions for either, comments, would be awesome. :D <3

I think it may all be in the draft. The problem with the first is I just made it up as I went along. The second had a template that was only vagually followed in the end, but it still helped a lot.

Maybe I'll tear out all the crap in the Black Parade mix then write a template. I guess that'll work.

Last night's experiment was as thus: write lyrics as they come through, things around you, words that pop up suddenly (even quotations) and make them all fit together with as little editing as possible.

I've been screwing around with Sonic Acid Pro 4.0. Yesterday I created what I think the inside of (milliways)Kaworu's head sounds like. Today I started to work seriously on my first project. I'm doing another with Shiny Toy Guns, but that one's far from posting, yeah :)

No name yet, but here it is. It's only a template right now - any blank spot or odd transitions are going to be adjusted later. I'm replacing Sound Check (Gravity) with Demon Detour: El Mañana. Might twist a bit of another Demon Detour live, 'Clint Eastwood (Live - feat. De La Soul & Bootie Brown)' and a mic soldier riff. We'll see what happens, eh?

The template is basic, but hopefully I can make it sound good.